She didn't set out to be a model. She set out to say yes to something that scared her — and that yes changed everything. This is the story of a woman who was told there was no space for her, and who built her own anyway.
Every story has a before. Before the magazine covers, before New York, before the agency contracts and the runway lights — there was a girl from Birmingham, Alabama who didn't yet know what she was capable of. What she had was curiosity, a striking presence she hadn't quite learned to own yet, and the good fortune of being seen by the right person at exactly the right moment.
It started, the way so many things do now, online. A college email address, a brand new Facebook account, and a few senior portraits shared without any particular intention. She wasn't performing for anyone. She was simply existing in a digital space — and someone took notice.
That someone was Ken Laurence — a fashion designer who would later go on to compete on the hit television show Project Runway. He reached out with a simple ask: would she be open to taking photos for his latest collection? She said yes.
Her mother and her aunt rode with her down to Montgomery, Alabama for the shoot — with now internationally acclaimed fashion photographer Michael Carson. She was a complete novice. A fish out of water. And it was the most alive she'd ever felt.
"To this day, Mike always says his first thought when he saw me was — this is a model."
Three different looks. Hair and makeup. Styling. Wardrobe. The whole production — music to set the mood, lighting rigged just right. She had never been in a room like that before. And she knew, in the way you sometimes know things before you can explain them, that she was exactly where she was supposed to be.
Those photos went onto Facebook. And they transformed her trajectory entirely.
After that first shoot, she and Mike kept working together. Test shoots. More editorial work. He wasn't just a photographer — he was a teacher. He showed her how light works, how a background sets a scene, how to understand what the person behind the camera is looking for.
And then one afternoon in Atlanta, on what she thought was just another day assisting on a shoot, Mike told the team they were breaking for lunch — and drove her somewhere she didn't expect.
He was checking his watch. Speeding through the city toward Auburn Ave. She asked where they were going — he said nothing. Just parked the car, told her to put on the heels she'd brought in the backseat, and walked fast.
"The door said everything. Click Models. I turned and looked at Mike — and he looked back without saying a word but saying everything. Yes, we are doing this. Yes, you are here. Yes, walk in."
The receptionist greeted them warmly. Mike asked if they were too late for the open call. She smiled and said no. And then, as they waited, they overheard her go around the corner and tell someone: "You have to come see this girl."
A group of women came from around the corner. They asked her to stand. They asked her to walk the hallway. They took a few digitals. And then — on the spot — they offered her a contract.
Everything moved fast. She asked to take the contract home to read — they happily agreed. Mike had given her something she hadn't been able to give herself yet: someone who saw her clearly, believed in her completely, and walked through the door with her so she wouldn't have to walk through it alone.
Back home, she shared everything with her mother. They called her aunt, who connected them with a family attorney. The rates were standard. The terms were clear. Two years, exclusive.
She signed it. And before she did, she wrote herself a letter.
My dear, what a way of life. Look at where you are. In your hands lie your first contract and you are going to make a mark in this world. You have value. Don't forget this when things feel rough. You can do this. You can handle this. You were made for this. Enjoy this. Enjoy the ride. P.S. Be sure to do something special for Mike. I think he has demonstrated he's a good friend. That is all. See you on the catwalk in New York, girl.
— Your future selfWhat followed was fifteen years of consistent, intentional, deeply earned presence in an industry that wasn't always ready to make room for her. Magazine covers. Editorial spreads. Runway shows with some of fashion's most celebrated designers. Film sets in productions that reached audiences in the millions.
She walked for Christian Siriano — a Pink Runway event at Gus Mayer, closing the show. She walked for Rebecca Minkoff. She traveled to New York for Nicci Hou during Fashion Week. She was a part of Mercedes-Benz Fashion Week in 2013. She appeared on VH1's Single Ladies. She walked through the Capital Party scene in The Hunger Games, wearing Alexander McQueen.
She appeared on B-Metro Magazine covers — the Glam Punk issue, the Fall Fashion cover. She appeared in Birmingham Magazine, Occasions Magazine, Upgrade Magazine. She worked commercial campaigns for Southern Living, Saks Fifth Avenue, Cahaba River Society, and Susan G. Komen.
She was a hair model for Nick Arrojo for over three years — and for Soft Sheen Carson, one of the most iconic names in Black hair culture.
She was a finalist in Cynthia Bailey's model search. She was a finalist in America's Next Top Model casting — and turned it down because the contract wasn't right. She trusted herself enough to walk away.
She also wrote. Publicly and honestly, in a 2019 essay for AL.com, she named what it meant to grow up in Alabama as a Black woman who wanted to work in fashion — the mentors who changed everything, the absence of women of color in the rooms that mattered.
She showed up on ABC's Talk of Alabama multiple times. She did the charitable work — over ten years of fashion shows for Maranathan Academy — not for visibility, but because she believed in what the school was doing for young people.
This is what fifteen years looks like when you do it with intention.
"A model represents a culture and an identity. We are the bridge between a visionary and their target audience."
— Infinity Jasele, Birmingham Times, 2017
Photographer · Mentor · Friend
There are people who change your life, and then there are people who see your life before you do. Michael Carson is the second kind. An internationally recognized fashion photographer — he was also the man who drove a young woman to an open call at Click Models Atlanta, told her to put her heels on, and walked through the door with her.
His contribution isn't just the photographs — though those photographs changed everything. He taught her how to work in front of the camera and behind it. He showed her what light does to skin, how a background speaks before the subject does. He gave her the understanding that made her not just a model but a collaborator.
He also gave her something harder to teach: he believed in her before she believed in herself. He didn't wait for her to be ready. He recognized something she hadn't found yet and held space for it until she caught up.
"He gave me the greatest gifts I've ever had. He gave me support. He gave me friendship. And he helped me believe in myself."
They remain close to this day. She will tell you without hesitation: none of this would exist without him.
In an industry where consistency is rare and loyalty is rarer, Megan LaRussa has been a constant thread. She has believed in Infinity's work, gotten her bookings, and shown up as a genuine supporter through chapters of the career that weren't always easy.
She is the kind of collaborator who makes the work better by her presence in the room, and the kind of friend who makes the journey better by her presence in the story.
"I deeply love her — and I deeply mean that."
This page is as much a thank you as it is a story. Megan LaRussa deserves her name on it.
Collaborator · Champion · Friend
Fashion Designer · Project Runway
Ken Laurence
The first person to say — come take photos for my collection. The yes that started everything.
Mentor · Model
Erika White
The woman at Designers Loft Studios who made a young Black girl from Alabama believe she could be the creative director she'd never seen.
Agency · Birmingham
Birmingham Crew
The team that saw something in her on the spot and offered a contract before she'd had time to think.
Hair Model Partnership
Nick Arrojo
Three-plus years as a hair model — a sustained collaboration that helped build the professional foundation.
Hair Campaign · Legacy Brand
Soft Sheen Carson
One of the most iconic names in Black hair culture — an honor to have been part of that story.
Nonprofit · Birmingham
Maranathan Academy
Ten-plus years of showing up. A school, a cause, a community — and the runway she keeps coming back to.
She came back to Birmingham on purpose. Not because she had to, but because she wanted to see what was possible here — more local magazines supporting models of color, more brands embracing a diverse audience, more young women from Alabama who could see themselves in the rooms that mattered.
She has been quieter on social media than she once was. Living deliberately. Preparing for a runway return that means something different now than it would have at 22.
On May 14th, 2026, she walks a runway for Maranathan Academy — alongside the models of the Greater Than Me collaboration, with fifteen years of experience and a story she is finally ready to tell in full.
She is not starting over. She is continuing — on her own terms, in her own voice, in the city that made her.
"Alabama was ready for a change. I moved back home to make sure I was part of it."— Infinity Jasele, AL.com, 2019
Continue the journey